Track Timings of the Altarus and Continuum Recordings
This page lists the timings (not provided in the booklets) of each track of all the recordings containing music by Sorabji that have appeared on the Altarus and Continuum labels. The Altarus titles are presented in numerical order (which differs from the order of release), followed by the single Continuum title. In the case of boxed sets, the disc number is added before the track number, e.g., “1-02“. The titles of Sorabji’s works are in bold type when a given recording features other composers.
See also the page Timings of Recorded Performances of Opus clavicembalisticum.
The timings were obtained using the open source CD digital audio extractor CDex, and rounded to eliminate the hundredths of seconds. They may differ slightly from the actual duration by a few seconds since the software obviously cannot determine when the performer lifted the hands from the keyboard or released the pedal.
| Track | Title | Duration |
|---|---|---|
| 01 | Ronald Stevenson, Den Bergtekne | 05:32 |
| 02 | [...], Norse Elegy for Ella Nygaard | 07:17 |
| 03 | [...] Beltane Bonfire | 07:31 |
| 04 | Variazione maliziosa e perversa sopra “La morte d’Åse” da Grieg (1974; 2 pp.) | 00:52 |
| 05 | Alistair Hinton, Variations and Fugue on a Theme by Grieg | 57:39 |
| Track | Title | Duration |
|---|---|---|
| 01 | Fantaisie espagnole (1919; 23 pp.) | 17:55 |
| Track | Title | Duration |
|---|---|---|
| 01 | “Quaere reliqua hujus materiei inter secretiora” (1940; 16 pp.) | 20:23 |
| 02 | St. Bertrand de Comminges: “He was laughing in the tower” (1941; 16 pp.) | 22:54 |
| 03 | Toccatinetta sopra C.G.F. (1929; 8 pp.) | 08:01 |
| 04 | Due sutras sul nome dell’amico Alexis (1981, 1984; 2 pp.): no. 1 | 00:25 |
| 05 | Due sutras sul nome dell’amico Alexis (1981, 1984; 2 pp.): no. 2 | 00:50 |
| 06 | Passeggiata arlecchinesca sopra un frammento di Busoni (“Rondò arlecchinesco”) (1981-82; 16 pp.) | 15:27 |
| Track | Title | Duration |
|---|---|---|
| 01 | “Gulistān” — Nocturne for Piano (1940; 28 pp.) | 35:25 |
| Track | Title | Duration |
|---|---|---|
| 01 | Le jardin parfumé: Poem for Piano Solo (1923; 16 pp.) | 26:51 |
| Track | Title | Duration |
|---|---|---|
| 01 | Franz Liszt, Weihnachtsbaum: “Carillon” | 02:08 |
| 02 | Frédéric Chopin, Prelude in C Minor, op. 28, no. 20 | 01:25 |
| 03 | Frédéric Chopin, Nocturne in C Minor | 06:29 |
| 04 | Claude Debussy, Preludes, Book 1: “La cathédrale engloutie” | 05:55 |
| 05 | Czesław Marek, Tryptique: “Prelude and Fugue” | 06:00 |
| 06 | [...]: “Fantasia and Fugue” | 08:17 |
| 07 | [...]: “Chorale and Fugue” | 05:16 |
| 08 | Edward MacDowell, New England Idyls, op. 62: “In Deep Woods” (no. 5) | 03:13 |
| 09 | Ronald Stevenson, Heroic Song for Hugh MacDiarmid | 05:42 |
| 10 | Franz Liszt, Weihnachtsbaum: “Abenglocken” | 05:07 |
| 11 | Fantasiettina sul nome illustre dell’egregio poeta Christopher Grieve ossia Hugh M’Diarmid (1961; 10 pp.) | 03:14 |
| 12 | Bach-Busoni, Chaconne in D Minor | 14:56 |
| Track | Title | Duration |
|---|---|---|
| 01 | Sonata seconda for Piano (1920; 49 pp.) | 52:13 |
| Track | Title | Duration |
|---|---|---|
| 01 | Sonata no. 1 for Piano (1919; 42 pp.) | 22:06 |
| Track | Title | Duration |
|---|---|---|
| 1-01 | Symphonia brevis for Piano (1973; 120 pp.): I (“Andante”) | 35:52 |
| 1-02 | [...]: IIa (“Adagio”) | 13:05 |
| 1-03 | [...]: IIb (“Preludio quasi toccata”) | 6:36 |
| 1-04 | [...]: IIc (“Aria fiorita”) | 11:01 |
| 2-01 | [...]: IId (“Interludio”) | 5:33 |
| 2-02 | [...]: IIe (“Notturno”) | 22:41 |
| 2-03 | [...]: IIf (“Nexus”; includes “Quasi fuga” and “Coda-Epilogo” followed by (“Punta d’organo”) | 29:38 |
| Track | Title | Duration |
|---|---|---|
| 01 | Passeggiata veneziana sopra la Barcarola di Offenbach (1955-56; 24 pp.) | 22:30 |
| 02 | Villa Tasca: mezzogiorno siciliano — evocazione nostalgica e memoria tanta cara e preziosa del giardino meraviglioso, splendido, tropicale (1979-80; 47 pp.) | 54:26 |
| Track | Title | Duration |
|---|---|---|
| 01 | Toccata [no. 1] for Piano (1928; 66 pp.): “Preludio-Corale” — “Passacaglia” | 45:28 |
| 02 | [...]: “Cadenza” | 03:07 |
| 03 | [...]: “Fuga”, “Coda-Stretta” | 26:20 |
| Track | Title | Duration |
|---|---|---|
| 1-01 | Sonata IV for Piano (1928-29; 111 pp.): “[I]: Vivo — arditamente” | 47:45 |
| 2-01 | [...]: “II: Lento, languido e sonnolento” | 35:47 |
| 3-01 | [...]: “III: Preludio — Fantasia [Scherzo fantasiata (sic)] — Cadenza” | 15:02 |
| 3-02 | [...]: “Fuga I” | 18:08 |
| 3-03 | [...]: “Fuga II — Coda-Stretta” | 22:45 |
| Track | Title | Duration |
|---|---|---|
| 1-01 | Opus clavicembalisticum (1929-30; 253 pp.): “I. Introito” | 02:50 |
| 1-02 | [...]: “II. Preludio corale” | 13:18 |
| 1-03 | [...]: “III. Fuga I” | 12:41 |
| 1-04 | [...]: “IV. Fantasia” | 04:19 |
| 1-05 | [...]: “V. Fuga II” | 18:04 |
| 1-06 | [...]: “VI. Interludium primum” (vars. 1-22) | 27:25 |
| 2-01 | [...]: “VI. Interludium primum” (vars. 23-49) | 28:20 |
| 2-02 | [...]: “VII. Cadenza I” | 04:19 |
| 2-03 | [...]: “VIII. Fuga III” | 45:12 |
| 3-01 | [...]: “IX. Interludium alterum — Toccata” | 05:42 |
| 3-02 | [...]: “IX. Interludium alterum — Adagio” | 16:42 |
| 3-03 | [...]: “IX. Interludium alterum — Passacaglia” | 50:50 |
| 4-01 | [...]: “X. Cadenza II” | 03:02 |
| 4-02 | [...]: “XI. Fuga IV”, “XII. Coda-Stretta” | 51:49 |
| Track | Title | Duration |
|---|---|---|
| 1-01 | Opus clavicembalisticum (1929-30; 253 pp.): “I. Introito” | 02:49 |
| 1-02 | [...]: “II. Preludio corale” | 13:20 |
| 1-03 | [...]: “III. Fuga I” | 12:37 |
| 1-04 | [...]: “IV. Fantasia” | 04:20 |
| 1-05 | [...]: “V. Fuga II” | 18:07 |
| 2-01 | [...]: “VI. Interludium primum” | 58:10 |
| 2-02 | [...]: “VII. Cadenza I” | 04:23 |
| 3-01 | [...]: “VIII. Fuga III” | 45:17 |
| 4-01 | [...]: “IX. Interludium alterum — Toccata” | 05:41 |
| 4-02 | [...]: “IX. Interludium alterum — Adagio” | 16:41 |
| 4-03 | [...]: “IX. Interludium alterum — Passacaglia” | 50:37 |
| 5-01 | [...]: “X. Cadenza II” | 03:05 |
| 5-02 | [...]: “XI. Fuga IV”, “XII. Coda-Stretta” | 51:52 |
| Track | Title | Duration |
|---|---|---|
| 01 | Concerto da suonare da me solo e senza orchestra, per divertirmi (1946; 70 pp.): [no designation] | 22:04 |
| 02 | [...]: [II] | 21:34 |
| 03 | [...]: “Scherzo diabolico” | 22:56 |
| Track | Title | Duration |
|---|---|---|
| 01 | Un nido di scatole sopra il nome del grande e buon amico Harold Rutland (1954; 26 pp.): “Dapprima...” | 00:34 |
| 02 | [...]: “La prima scatola” | 00:43 |
| 03 | [...]: “La seconda scatola” | 00:52 |
| 04 | [...]: “La terza scatola” | 02:03 |
| 05 | [...]: “La quarta” | 04:28 |
| 06 | [...]: “La quinta” | 00:47 |
| 07 | [...]: “La sesta” | 02:07 |
| 08 | [...]: “La settima” | 02:48 |
| 09 | [...]: “L’ottava” | 01:15 |
| 10 | [...]: “La nona” | 04:57 |
| 11 | [...]: “La decima” | 03:17 |
| 12 | [...]: “L’undicesima” | 01:31 |
| 13 | [...]: “La dodicesima” | 00:47 |
| 14 | [...]: “La tredicesima” | 00:52 |
| 15 | [...]: “La quattordicesima” | 01:28 |
| 16 | [...]: “La quindicesima” | 01:16 |
| 17 | [...]: “La sedicesima” | 01:54 |
| 18 | Nocturne, “Jāmī” (1928; 28 pp.) | 26:51 |
| 19 | St. Bertrand de Comminges: “He was laughing in the tower” (1941; 16 pp.) | 18:50 |
| Track | Title | Duration |
|---|---|---|
| 01 | Rosario d’arabeschi (1956; 45 pp.): “Introito” | 06:46 |
| 02 | [...]: “Ostinato doppio — Punta d’organo — Cadenza” | 22:52 |
| 03 | [...]: “Tarentella — Coda-ripresa” | 07:08 |
| 04 | “Gulistān” — Nocturne for Piano (1940; 28 pp.) | 35:35 |
| Track | Title | Duration |
|---|---|---|
| 01 | Fantasia ispanica (1933; 54 pp.): “Preludio-Introduzione” | 04:19 |
| 02 | [...]: “Molto moderato” | 15:49 |
| 03 | [...]: [No designation] | 12:14 |
| 04 | [...]: “Quasi habanera” | 24:27 |
| 05 | [...]: “Coda-Finale” | 07:08 |
| Track | Title | Duration |
|---|---|---|
| 01 | Ferruccio Busoni, Sonatina super “Carmen” | 08:22 |
| 02 | Pastiche on the Habanera from “Carmen” by Bizet (1922; 6 pp.) | 06:49 |
| 03 | Franz Liszt, Réminiscences de “Norma” | 19:20 |
| 04 | Franz Liszt, Réminiscences de “Don Juan” | 18:52 |
| Track | Title | Duration |
|---|---|---|
| 01 | Symphony [no. 1] for Organ (1924; 81 pp.): I | 34:36 |
| 02 | [...]: II | 36:25 |
| 01 | [...]: III | 46:53 |
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